Autochrome

About 


Autochrome is the trade name given to the first industrial colour slides by Lumière company, first on glass plates (1907-1933), then on plastic film (1931-1956). Autochromes belong to the family of additive processes with trichromatic networks. As transparent positive images, they are intended to be viewed with individual viewers or projected with electric arc lanterns. 

Flèche de Notre Dame, Paris, vers 1910, Jules Gervais Courtellemont, 9 x 12 cm, cinémathèque Robert-Lynen, Ville de Paris

Historical period of production and use


The autochromes had a huge popular success until Kodachrome® and chromogenic development photographs were released in the mid-1930s. Production on glass stopped in 1933, although the process was still used on plastic film until 1956 (in the form of a roll of film called Filmcolor® or a reel called Lumicolor®).

Numerous other additive synthesis processes coexisted with autochrome (Agfacolor® from 1916, Finlaycolor® from 1929, Dufaycolor® in 1935, etc.).

Manufacturing


A varnish-coated glass plate is covered with a thin, even layer of potato starch grains tinted green, blue-violet and orange, then protected by another layer of varnish onto which a photosensitive gelatine-silver emulsion is applied. The plate can then be exposed in the camera, developed and reversed into a positive image. A final layer of varnish can then be applied. The monochrome positive silver image is then viewed through a coloured filter which, by additive synthesis, gives us a colour image. 

Identification


These different processes are identified by examining under magnification the coloured screen, which may be geometric or random. The pattern of the autochrome image is random and has a pastel, textured appearance, whether on glass or plastic, which is not the case with later chromogenic processes with more saturated, sharper colours.

Deterioration


Autochromes are fragile collation of multiple components (gelatin-silver image, varnish, dyes), all of which are sensitive to the photograph’s deterioration agents: variations in temperature and humidity, pollutants and oxidants, light, etc. Glass breakage, delamination of the image layer from its glass substrate, and fading of the dyes are common forms of deterioration observed on autochrome plates.

Credits


Visual Glossary of Photographic Processes © ARCP / Mairie de Paris, 2023

Glossary


Albumen Print

Aristotype

Autochrome

Carbon Print

Chromogenic Prints

Collodion Glass Plate Negative

Portrait Crayon

Cyanotype