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Yto Barrada, Montagnes en constructions, parc zoologique, 2011, Courtesy of Carlos Carvalho Arte Contemporânea.
Anthony Goicolea, Monument, 2011, Courtesy of Carlos Carvalho Arte Contemporânea.
Sara Ramo, Parte de, 2011, Courtesy of Carlos Carvalho Arte Contemporânea.
Gohar Dashti, Stateless series, 2014-2015, Carlos Carvalho Arte Contemporânea.
Isabel Brison, Cidade Jardim #4, 2015, Courtesy of Carlos Carvalho Arte Contemporânea.
Manuel Vilariño, A la Aurora (Dyptich), Courtesy of Carlos Carvalho Arte Contemporânea.
Manuel Vilariño, A la Aurora (Dyptich), Courtesy of Carlos Carvalho Arte Contemporânea.
Mónica de Miranda, City scape (polyptich), 2016, Courtesy of Carlos Carvalho Arte Contemporânea.

Prelude to a Landscape

Apr 06, 2017 — May 27, 2017

CARLOS CARVALHO
Paris Fair Exhibitor

Rua Joly Braga Santos, lote f r/c
1600-123 lisboa
pneybfpneinyub-np@pneybfpneinyub-np.pbz
T +35 121 721 831
www.carloscarvalho-ac.com

Almudena Lobera, Anthony Goicolea, Carla Cabanas, Gohar Dashti, Irene Grau, Isabel Brison, Jessica Backhaus, Manuel Vilariño, Marco Pires, Monica de Miranda, Sara Ramo, Sérgio Carronha and Yto Barrada.

Curated by Martim Dias

In each one of us there is an appeal for everything that exists beyond our own exis-tence which is nothing more than the result of “a process of selecting spaces to destroy or to keep in each period of time” . The contemporary landscape, almost inclusively, is the re-sult of alterations that comes with the human occupation and that, for different rea-sons, results from adapting the environment to its own establishment and deve-lopment needs. In this way, landscape can be understood, rather than anything else, as a cultural construction. Its natural condition is directly related to the concept of nature created in different historical and social contexts. The idea of landscape is something that is constructed and rebuilt, i.e., it is as a mental elaboration that be-gins with the moment when we look at the territory. We can only think about the idea of landscape as a response to our beliefs, knowledge and desires and that defi-ne the world in every moment. In doing so, we follow the Kesslerian idea that "landscape is not a reality in itself because it cannot be separated from the gaze of the beholder" .

The concept of landscape from these believes transforms itself into a form of knowledge, a means to understand the environment in which we move, because "not only shows us how the world is, but is also a construction, a composition, a way of seeing it” . Through this exhibition proposal, entitled “Prelude to a Landscape”, it is intended to reflect on the landscape and the territory, how it is interpreted, constructed and reconstructed from an artistic view. From the works of this group of artists, with different approaches to the concept of landscape and the construction of imaginary spaces, we try to clarify which are the main paths that disturb the artists and which are the working research lines close to architecture, geography, anthropology, soci-ology, among others.